law and policy 6 perc olvasás

Who owns an AI-dubbed track?

Two questions get asked as one: whether you may dub something, and whether the dub that comes out is yours. Only one of the answers is about AI at all.

Ez a cikk még nem lett lefordítva, ezért angol nyelven jelenik meg.

If you dubbed your own video, the dub is yours. Our terms say so: we claim no ownership of the output, and to the extent we hold any rights in it, we assign them to you. You can monetize it.

That's the easy half. The harder half is that "who owns it" is really two questions, and mixing them up is how people get into trouble.

The first is whether you had the right to make the dub at all, which is about the source material and has nothing to do with AI. The second is whether the dubbed audio itself attracts fresh copyright protection, which is a live legal question nobody can answer for you with certainty.

This is not legal advice. If real money or someone else's content is involved, talk to a lawyer who has read your situation.

Did you have the right to dub it?

A dub is a derivative work. It takes an existing work and makes a new version of it, the same way a translation of a novel does.

So the rule is the ordinary copyright rule, and AI changes nothing about it: making a derivative work is one of the exclusive rights of the copyright holder. Dub your own video and you're exercising a right you already hold. Dub somebody else's without permission and you've made an infringing derivative, whether you did it with a studio, a freelancer, or a tool like ours.

Some cases people get wrong:

A video you paid someone to make. Check the contract. Commissioning work doesn't automatically transfer copyright in many jurisdictions, and "we paid for it" is not the same as "we own it".

Content with licensed music in it. Your licence for that track probably covers the video you made. It may not cover derivative versions, and dubbing produces one. The dialogue rights and the music rights are separate problems.

Clips used under fair use or fair dealing. A defence that worked for your original commentary doesn't automatically travel to a version you've re-voiced in another language for a different market. It's a fact-specific test, and you've changed the facts.

Interview footage. You may own the recording while your subject retains rights in their contribution or their likeness. Dubbing puts new words in their mouth, in a language they may not speak.

Our terms require that you don't upload copyrighted content without authorization, which is the same rule stated from our side. We can't check it for you, and we don't see your rights position.

Is the dubbed audio itself copyrightable?

Here the honest answer is: partly, probably, and the part that matters most to you is not in doubt.

The US Copyright Office addressed this directly in Part 2 of its report on Copyright and Artificial Intelligence, published on 29 January 2025. Its position is that AI outputs can be protected by copyright where a human author determined sufficient expressive elements, and that prompts alone are unlikely to meet that bar.

Two things follow that matter for dubbing specifically.

The Office says protection can apply where a human-authored work is perceptible in an AI output. A dub of your video contains your script, your performance and your creative choices, carried through into another language. That's not a prompt producing something from nothing. Your human-authored work is right there in the output.

And the Office is clear that using AI as a tool inside a larger work doesn't remove protection from the work as a whole. Your video doesn't stop being yours because one of its audio tracks was machine-generated.

What's genuinely uncertain is whether the generated audio, considered on its own as a separate new thing, adds a fresh layer of copyright over and above what you already held. That's the open question, and anyone telling you they know the answer for your jurisdiction is overselling.

The practical upshot: your rights in the underlying work are unaffected, and that's the protection doing the actual work in almost every real situation.

Can you monetize an AI-dubbed video?

Yes, on all the usual platforms, subject to the same rules as any other content.

YouTube's monetization policies care about whether content is original and adds value, not about whether a tool was involved in producing it. Dubbing your own original video into Spanish is your content in another language. Their disclosure policy separately exempts "cloning one's own voice to create voice overs or dubs" from the altered content requirement, which we covered in when you have to label an AI-dubbed video.

Where monetization gets refused, it's almost never because of the dubbing. It's because the underlying content was reused, mass-produced, or wasn't the uploader's to begin with. The dub inherits whatever problem the source already had.

What we do and don't take

Because ownership questions and privacy questions blur together, here's the actual arrangement.

You keep all rights to the files you upload. We take a temporary licence to process them for the sole purpose of producing your dub, and nothing beyond that.

We claim no ownership of the output and assign you whatever rights we might hold in it. Commercial use is explicitly permitted, monetized channels included.

Your uploaded file is deleted as soon as the dub is produced, and within a day regardless. The finished dub is downloadable for 90 days and then deleted permanently, so archive it.

There's no voice enrolment anywhere in the product. We never ask you to record a sample, and there's no stored voice profile, because the upload takes a file and one of 32 target languages and nothing else. You don't even declare the source language: it's detected from the audio.

The question to ask before you dub

Not "do I own the output". You do. The question is whether you own the input.

If the answer is yes, everything downstream is straightforward and the paperwork mostly takes care of itself. If it's no, or "sort of", or "we licensed it for one use", that's the thing to resolve before you spend money translating it into six languages.

For planning a specific project, the per-language guides cover the practical side: dubbing marketing video from English to Japanese is a common starting point, dubbing corporate video from English to Korean is another, and the use case index has the rest.

FAQ

Do I own the audio an AI dubbing service produces?

Under our terms, yes: we claim no ownership of the output and assign you any rights we might hold in it, and commercial use is permitted. What we can't do is give you rights in source material you didn't have rights to in the first place.

Is a dub a derivative work?

Yes. Making a derivative work is one of the copyright holder's exclusive rights, so dubbing content you own is fine and dubbing content you don't own needs permission. That rule predates AI and isn't changed by it.

Can I monetize an AI-dubbed video?

Yes, on the same terms as any other content. Platforms care about whether the content is original and yours, not about whether a tool was used. Problems with monetization almost always trace back to the source material rather than the dubbing.

Is AI-generated audio copyrightable?

Unsettled as a standalone question. The US Copyright Office's January 2025 report says AI outputs can be protected where a human author determined sufficient expressive elements, and that prompts alone generally don't qualify. Since a dub carries your human-authored work through into the output, your rights in the underlying work are the ones doing the work either way.

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